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And
the LORD said furthermore unto him, Put now thine hand
into thy bosom. And he put his hand into his bosom:
and when he took it out, behold, his hand was leprous
as snow.
And he said, Put thine hand into thy bosom again.
And he put his hand into his bosom again; and plucked
it out of his bosom, and, behold, it was turned again
as his other flesh.
Now why didn't Charlton Heston perform THIS sign?
Moses' hand had to be black to begin with if it came
out of his bosom white: |
| Charlton
Heston from the scene of the movie The Ten Commandments. |
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Let's take a look at
what happened to Moses' sister when she verbally disapproved
of this marriage: "And the cloud
departed from off the tabernacle; and behold, Miriam became
leprous, WHITE AS
SNOW" (Num. 12:10-13).
Now if Miriam was white already, why did YHWH turn
her white? Why not turn her the same color as the Ethiopian
woman since she thought of the Cushite woman as being beneath
her? Miriam was already the same color as the Ethiopian woman,
so He turned her white instead! The proof of the dark complexion
of the Hebrew Israelites can be found in archeological findings
of the early part of the 20th Century. Fortunately, we no
longer have to rely on the misleading statements of modern
historians, Hollywood or European biblical comments who would
have you to believe the Hebrews
were white. We can go straight to one of the earliest pictorial
representations of them engraved on Assyrian bas-reliefs dating
from the 8th century BC.
These bas-reliefs not only prove beyond a shadow of a doubt
that the Hebrews were black, they also prove that the Assyrians
were black! Both the Hebrews and Assyrians were descendants
of Shem, the son of Noah
(Gen. 9:18-19). This means that two of the sons of Noah were
dark-skinned, Ham, progenitor of the Africans and Shem, progenitor
of the Hebrews.
These monuments were discovered in the palace ruin in Nineveh
by Henry Layard in 1845 and were subsequently transported
to a storeroom in the British Museum where they are housed
today. The monuments depict the capture of the city of Lakhish
(modern Tell Duweir) in Israel by the Assyrian monarch Sennacherib
in 711 BC. Assyrian artists were scrupulously faithful
in depicting the ethnic feat of the Assyrians and of the conquered
Judites.
Upon examining these reliefs one is immediately struck by
the faces of the Judite men.
They are unmistakably "Negroid" in appearance and
have nothing in
common with the modern Caucasian Jewish type today. One can
easily mark out the short woolly hair and beards of the men
represented by raised dots,
a common feature in Near Eastern portrayals of Israelites
as well as other Shemites (Assyrian, Syrians, and Babylonians).
(End)
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